METAL SLUG 6 BIOTOXIC FREE DOWNLOAD

Even more respectful is the arrangement of "Inner Station" called "Inner Goldfield". Perhaps, more faithful than ever is the arrangement of "The Military System". Creating catchy, complex, and rhythmic electronic music full of detailed sound layers. Lastly, Namiki's delivery for the final battle, "Discharge" is yet another complex and extravagant mix of various electronica layers, eerie piano notes, and urgent string motifs. Metal Slug 6 Complete Box Soundtrack:: The soundtrack blasts off with "Last Resort", one of the best electronica themes that I have ever heard.

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Strangely, the soundtrack was mostly composed by Elug Manabu Namiki with a few tracks by Mitsuhiro Kaneda. The latter is Manabu Namiki doing what he does best. Buy at eBay Overview If the soundtracks of Radiant Silvergun and any Cave shooter had a child together, the Metal Slug 6 soundtrack would be that child Relative newcomer Mitsuhiro Kaneda's contributions stand out less than Namiki's, but are highly enjoyable nevertheless.

Starting familiarly enough, it turns out of nowhere into a fantastic exotic theme, full of tribal percussion, African chanting, and it's mixed all the way with beautiful and heroic orchestral motifs.

It's used for the character select screen, and it does a terrible job in that context, since the players are not capable of starting the game because they can't stop listening to the background music. This one really grows on you with each repeated listen. Metal Slug 6 Complete Box Soundtrack.

Metal Slug 6 Complete Box Soundtrack:: It's essentially identical to the original, but with improved sound and army yells on top of it all, making it sound more epic and giving to it a march feel. September 6, Purchase: It's complex, extravagant, and very fun to listen all at the same time.

Metal Slug 6 OST - Biotoxic Boss Theme B by Erik F. Bueno | Free Listening on SoundCloud

The arrangements of classic Metal Slug themes don't stop here though. Creating catchy, complex, and rhythmic electronic music full of detailed sound layers. Of course, we can't forget the now-legendary victory jingle "Carry Out" which receives a full orchestral update, but falls slightly short due to the synth used.

It truly is an outstanding and unique arrangement to one of the best video game themes ever. Keeping the same jazzy groove and catchy synthetic guitars from the original, Namiki makes the track stand out even more by adding his signature airy synths and catchy as hell melodies and solos. Perhaps, more faithful than ever is the arrangement of "The Military System".

Both themes feature catchy melodies, addictive tribal percussion, and some atmospheric and textural woodwind work. A strange and hyperactive child that doesn't fit anywhere with everyone else, but can still make friends easily.

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To put it briefly, the score is a mix of electronica and orchestral music, along with many unique elements here and there. Featuring bioyoxic and harmonic string progressions, "Bridge " truly captivates the listener with its bright biotoxi adventurous orchestral motifs. The over the top nature that has characterized the series is gone, but the soundtrack as a whole is still very extravagant, energetic, and, most importantly, very fun to listen.

Manabu Namiki delivers also with his fresh new compositions then don't fail to impress.

For me, the biggest surprise of this soundtrack was the arrangement of the "Main Theme from Metal Slug". In spite of the orchestral and electronica fusion of this soundtrack, Kaneda delivers more on the orchestral aspect. Manabu Namiki does a great job in arranging this classic theme, while adding a lot of personality and uniqueness to it. Even more surprisingly, Kaneda composes a track incredibly similar to Hitoshi Sakimoto's style, and he fares rather well in my opinion.

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Not since the first game it has made an individual appearance, but it has been frequently reprised in many compositions from the series. Featuring catchy melodies, fantastic electronic beats and sounds, the track refuses to leave your head. The classic boss battle mftal "Steel Beast" receives a respectful arrangement, metl most of the original elements of the original, like the frantic electronic beats, complex irregular rhythms, and overall aggressive motifs.

The former is an exciting electronica composition, full of funky Asian motifs and trippy percussion; this bubbly fusion is actually highly reminiscent of his work on Mushihimesama Futaribut still befits the Metal Slug universe.

Lastly, Namiki's delivery for the final battle, "Discharge" is yet another complex and extravagant mix of various electronica layers, eerie piano notes, and urgent string motifs. The soundtrack blasts off with "Last Resort", one of the best electronica themes that I have ever heard.

Simply bioroxic, an awesome way to start the album